For the
final part of the filming process filmed what we did with Josh but with
Shqipdon. We did this to avoid continuity errors and to also get lots of different
angles of Shqipdon to create a star image and to keep the camera constantly
moving on him. We filmed Shqipdon looking at and ripping up the photos from
different angles so that we could maintain the fragmented narrative. It also
creates a sense of confusion as Shqipdon would be feeling upset and shocked and
so it can be used to signify his thoughts and memories that are flooding back
to him, relating to their relationship. When we reviewed the footage we found
that the clips were very grainy and so this was the result of filming in low
lighting. If we were to re-film this scene we could add subtle diegetic
lighting that could light the shots more effectively as non-diegetic artificial
lighting could be quite harsh and may alter the atmosphere of the scene. From
the first re-filming session we did we decided that we really liked the black
and white effect as it complemented the sad and isolated atmosphere. Once we
had used the three-way colour corrector we found that it slightly improved the
quality as it didn't appear as grainy because we increased the contrast and so
it defined the shadows and shapes.
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