Tuesday, 2 October 2012

BLINK 182 'FIRST DATE' MUISC VIDEO ANALYSIS

Being part of the alternative genre, the music video for Blink 182 ‘First Date’ enlists the uses of various codes and conventions indicative of the genre. It is narrative as well as performance based; this is because humorous narratives make up part of the band’s signature as well as engaging the audience an making the music video more memorable. A long shot also adds to the band signature because the audience is able to see the band as a whole. This allows us to see the iconography such as instruments and microphones which suggest that the genre is alternative as well as giving an indication that the band members are dressed as characters and also links the performance with the narrative.
Having close ups as well as dialogue at the beginning of the music video sets up the narrative because it suggests that the characters are people that do what they want and don’t really care, which can be seen as humorous as well as rebellious and also typical of this genre. It is also seen during the music video where two of the band members stick up their middle fingers to a young girl and so we see this rebellious behaviour throughout the music video. Fast paced editing has been used to match the speed of the music as well as having the visuals pause to show the end of the verse and then the beginning of the chorus when the visuals begin to start again.
 
The music also pauses as a guy hits the ball with a base ball as an amplified sound of the ball hitting the bat is played. The music continues after the girl flies off her bike and scrapes along the floor. This is so that the audience is either shocked or amused by this and so it engages the audience. We also see a worm’s eye view of the bat flying in the air and so this creates an enigma code because it leaves the audience in suspense and wondering where the bat will go. Having a small empty room is popular locations within alternative music videos as you are able to have the whole band perform and they will be the main focus of each shot.


The music video has been edited so that it appears quite dated as it is set in 1974 this gives it more dated feel to it. The use of medium close ups focuses on a woman’s body where their heads are not in shot. This creates the idea of sexualisation as well as the voyeuristic element. The use of slow motion as the band gets out of the campervan creates a false kind of celebrity status because they think that they are popular when actually they are not. The slow motion highlights the fact that he falls out of the campervan because at normal speed the audience may miss it and it also allows us to see his facial expression as he hits the floor and so this makes it funnier for the audience.
 
 

Slow motion has been used along with a close up to increase sexual tension as the woman turns around and looks at the band. This then leads to eyeline match because we see in turn the reaction of each band member. This creates the sense that the woman is attractive as well as creating humour as the band is relating to the sight of the woman. There is also an Intertextual reference as the characters appear to be dressed up as ‘The Bee Gees’.   This is done through slow motion and a fan, which gives an airbrushed and celebrity effect. By doing this it creates a humorous image for the audience because of the thought of these rebellious and immature individuals being legendary artist is amusing for the audience.
 
 
 
The music video ends with conclusions about what has happened to the characters. This has been added to give an extra bit of humour to the music video and makes it memorable for the audience because they are more likely to remember an interesting ending. The music video for ‘First Date’ is effective because it keeps the audience engaged throughout the music video with the comical narrative and codes and conventions within the genre.
 
 

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