LIGHTING PLAN

PERFORMANCE SCENES

For the performance scene we wanted to create a three point lighting set up so that we could create an interesting yet effective scene. We decided that by using two soft boxes for backlighting it would create a halo effect and also a lens flare. By achieving lens flares it makes the shot appear more interesting as the camera movement makes the lens flares move across the shot. We also have considered using a soft box as a fill light so that we could create a ‘glamorous’ appearance for the star image. We also wanted to create a slightly dark and ‘moody’ atmosphere so that it is parallel to the music and lyrics and so this creates a relationship between the lyrics, the song and the visuals. 

 

NARRATIVE SCENES 1

We decided that using a reflector for the outside narrative scenes would be the most effective as we could reflect the light onto the subjects without making the scene appear too bright or artificial. We also wanted to create a romantic mood and so bright artificial lights would not help to create this mood and so by reflecting natural light from the sun it will create a natural glow on to the subjects and will add to the soft and romantic atmosphere.

 

NARRATIVE SCENES 2

As we decided to film in a small room we thought that big bright lights would not suit the atmosphere or setting and so we considered using a reflector so that we could reflect the diegetic room light. We also thought about using lamps and more diegetic lighting so that we could create a sad and lonely atmosphere.

 

Though lighting we have been able to experiment with different atmospheres that would go with the song and also the scene. We wanted a contrast between bright and happy lighting for the romantic scenes and the sad scenes where Shqipdon is by himself. This also allows the audience to differentiate the different scenes and also adds to the fragmented narrative.